Blood Pudding Press
Finalists
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~from the Finalist manuscript Prone As i Am by Bree - three poems
foreshadows
in
the fore of winter brown trees
and orange birds like laser points
and orange birds like laser points
you
give an awfully good presentation.
just
your forearm is exciting.
i dont know yet you would hold it
i dont know yet you would hold it
against
my cheek while screaming
vile things- my heart a checkered
vile things- my heart a checkered
flag
to signal the end of a race.
in
the damp, once-burnt grass
i
inhale you deeply. you point
to a
coyote pastures over,
running
with pleasure through
star chickweed, presumably.
and even though it is early, it is
so dark, and evenly, we neither
of us make shadows.
star chickweed, presumably.
and even though it is early, it is
so dark, and evenly, we neither
of us make shadows.
goodbye
kisses
your
goodbye kisses are among
the
best ive had. you say
its
cus they are see you later kisses.
i answer i surely will.
i answer i surely will.
you
are my taste of true country.
your
loud muffler accelerates me.
youre
so wrong. cant get wronger.
purple deadnettle sprawls the
purple deadnettle sprawls the
way
to the red barn. we cant
go on like this, i say-
go on like this, i say-
you
say we just need to do it
more,
and longer.
just the tips are yellow of
gold grasses and bronze
sedge
combine in the advent
of
antlers. trees markedly bare,
just the tips are yellow of
frame the creek a county
over from mine.
just the tips are yellow of
frame the creek a county
over from mine.
clouds
striate the sky like vinyl.
hawks
cry in the grooves, taking
advantage
of warm shafts.
the last time i saw you before
the women pulled your oxygen tubes
firm young red maples clinked together
like red stemware outside the lodge
where we danced to Neil Young,
even
though it embarrassed us.
i stand alone, not even the sound
of a far-off car or cow, and i hear
you quip,
i stand alone, not even the sound
of a far-off car or cow, and i hear
you quip,
i mean the deal wasnt
supposed to go down
that way
supposed to go down
that way
as a
shy hen plants her face in the
crook of a pussywillow, filling me
crook of a pussywillow, filling me
with
all of your grace.
***
from the Finalist manuscript Uncanny by Judy Ryan Hall - three poems
Word
***
from the Finalist manuscript Uncanny by Judy Ryan Hall - three poems
Word
I am too sad for sadness. Grief is
too small a
word. I need something with heft, something multi-
syllabic and synesthetic, some word which could be a
paperweight on the pages of this long story.
I need it to have the bittersweet aftertaste of red
wine on my lips and tongue and the barefoot echo
of dancing in the living room. I need it to smell like the
kitchen floor at 2 am and to leave my hands with the
feeling of the pages of a book with beautiful
verbs. I need this word to be the rabbits, dead
in your yard; I need this word to be that noose
hanging around the rafters of your immaculate garage.
I need a word, something guttural, Germanic and
long, a word you need a phonetic guide to pronounce
and even then, not be sure you've said it just right. I
need a word with a complex etymology, a word which
only linguists and word nerds would know. I need a
word appearing in the Sunday Times crossword, stumping
all but a few.
I need a word which means the way we clicked; I need a word
which explains the emptiness that a lover cannot fill; I need a
word in a language written in late night interchange – uncanny,
uncomfortable, unforgiving and rotund with love.
word. I need something with heft, something multi-
syllabic and synesthetic, some word which could be a
paperweight on the pages of this long story.
I need it to have the bittersweet aftertaste of red
wine on my lips and tongue and the barefoot echo
of dancing in the living room. I need it to smell like the
kitchen floor at 2 am and to leave my hands with the
feeling of the pages of a book with beautiful
verbs. I need this word to be the rabbits, dead
in your yard; I need this word to be that noose
hanging around the rafters of your immaculate garage.
I need a word, something guttural, Germanic and
long, a word you need a phonetic guide to pronounce
and even then, not be sure you've said it just right. I
need a word with a complex etymology, a word which
only linguists and word nerds would know. I need a
word appearing in the Sunday Times crossword, stumping
all but a few.
I need a word which means the way we clicked; I need a word
which explains the emptiness that a lover cannot fill; I need a
word in a language written in late night interchange – uncanny,
uncomfortable, unforgiving and rotund with love.
How I Became an Atheist and a Writer
I am a storyteller
It’s just what I do
I tell tales here in
The hall, I spin yarns.
Fiction, fact, fantasy
Merge – I once told a
Husband that Fact devoid of Fiction
Was boring – and it is.
When I was seven I told
The story of how my family
Almost fell off a cliff in a Jeep
In Egypt while the enemy chased us.
It wasn’t really a lie.
We were in Egypt.
We were in a Jeep.
Cairo in 1976 had cliff-like
Potholes that
My mother said looked like
The Grand Canyon.
It was fact. Embellished.
That was in catechism class
And I was chastised and told
To ask forgiveness from God and Jesus.
I started to pray but it turned into
The story of how I saved all the children
From a burning church in Birmingham. Singlehandedly.
My mother patiently told them
I wasn’t a heretic but that I had a good
Imagination. (Are these things counter posed?)
But in the white station wagon on the way home she
Said, while driving from Hicksville
Down Haypath road to our house
Maybe I should write these things down
And stick to the boring facts in Catechism
Like a man rising from the dead
Or the Virgin birth or Moses parting the Red Sea
And that God and Jesus were Father and Son but still the same guy
That incest was bad but Adam and Eve were the first man and woman
And I wasn’t supposed to ask where their sons got wives
That God flooded the earth and put all the animals, two by two
On a really big boat – and it wasn’t even Monsoon season
I figured that these things were about
As likely as my own heroics
Some sort of truth – embellished –
Some sort of lie – for fun.
I am a storyteller
It’s just what I do
I tell tales here in
The hall, I spin yarns.
Fiction, fact, fantasy
Merge – I once told a
Husband that Fact devoid of Fiction
Was boring – and it is.
When I was seven I told
The story of how my family
Almost fell off a cliff in a Jeep
In Egypt while the enemy chased us.
It wasn’t really a lie.
We were in Egypt.
We were in a Jeep.
Cairo in 1976 had cliff-like
Potholes that
My mother said looked like
The Grand Canyon.
It was fact. Embellished.
That was in catechism class
And I was chastised and told
To ask forgiveness from God and Jesus.
I started to pray but it turned into
The story of how I saved all the children
From a burning church in Birmingham. Singlehandedly.
My mother patiently told them
I wasn’t a heretic but that I had a good
Imagination. (Are these things counter posed?)
But in the white station wagon on the way home she
Said, while driving from Hicksville
Down Haypath road to our house
Maybe I should write these things down
And stick to the boring facts in Catechism
Like a man rising from the dead
Or the Virgin birth or Moses parting the Red Sea
And that God and Jesus were Father and Son but still the same guy
That incest was bad but Adam and Eve were the first man and woman
And I wasn’t supposed to ask where their sons got wives
That God flooded the earth and put all the animals, two by two
On a really big boat – and it wasn’t even Monsoon season
I figured that these things were about
As likely as my own heroics
Some sort of truth – embellished –
Some sort of lie – for fun.
Bi
I wear bifocal lenses with which to
see
As I walk, bipedally: Me up
close and
You far away;
I am bisexual – loving boys and
girls is twice
The fun and I am
Bipolar so I get to do
it birhythmically.
My heart is said to have four
valves, but I don’t buy that
It is bivalvular, bifurcated
between You and Him
Or Me and Them or Us and Us and
sometimes Me and Me but often You and You;
Our
lives are bisymmetrical – we meet at right angles and then part
On our bicycles for our bicoastal
friendship
(Or whatever we’re calling this
bizarre singularity).
My brain is bisected into
blazing hemispheres of
Lucidity and sense residing
Where splendor and make-believe
refuse
To tread – it would be easier if I
was bicorporal –
All this is a bit much for one
uncanny head.
***
from the Finalist manuscript Paper Doll, Heart of
Ashes (Erasure Poems from Marge Piercy’s Woman
on the Edge of Time) by Melissa Atkinson Mercer - three poems
__
People
of my time: lonely: the bughouse
is
full of women: blessed
virgin,
the taste of raw mouse: ask her
if
she believes in the whole
sequence,
everybody who could push. Let her bury
the
house with a knife. I can’t fix it:
perhaps
too confident,
too
conscious in the wrong kind of way:
a
new heroine,
the
first animal to learn.
*
__
A
girl in any sea
like
scales of an enormous fish.
Friend
of our long table: run when you want:
the
sound of water, you know what it’s like:
dark
dragonflies glinting
and
humming
with
their terrible teeth and claws.
*
__
Four
moons;
electrical
itch of wanting.
May
I
small-boned
at
the heels
of
Asylum: bent close in the grass, a bowl on the floor:
nothing
lived but her.
***
***
from the Finalist manuscript Not Your Father's Nightmares by Scott Anton Morgan - three poems
Ululations Beneath
the Sheets
My love life is
like a David Lynch film;
a conundrum with a
Fortean soundtrack.
My skull is
ticking, but my hands
are too corroded
from playing in the dust
of my parents to
hold it steady.
I see now that the
exorcism
at my seventh
birthday party wasn’t very successful
because I’m still
spinning around and around.
I remember your
breasts leering up at me,
twisting into hazy
eyes swimming with tears
across a malachite
skyline peppered with ill intentions.
Your face becomes
an inkblot test
which I fail under
pressure.
You treat my mind
like a maggotorium
and that’s why I
can’t get rid of the creaking noise
you hear every time
I open my mandibles to kiss you.
The bed shivers,
repulsed by my naked corpse:
it thinks I am an
indignity,
telling me so in
muffled screeches
and corybantic
thrashing.
Violently choking
on your tequila,
you morph into the
Blue Man Group
I stuff your
convulsing mass under my bed
to give the
Bogeyman his nighttime soup.
Date Night
Her web already
held a certain regalia within its silk.
She spun faster,
dampening it with droplets of milky sweat.
Our velocity had
changed the morning into a cloud-swept dusk
that shivered when
she curled her hairy legs in profane pleasure.
I shoved a kiss
between her gibbous lips and caught her by surprise
and her growl
reverberated through that tranquil gossamer sheet.
Unbolting my
eyelids, I watched as she twisted and turned
while a solemn drum
cried out somewhere in the bituminous landscape
with a vibrating
dread. The peevish moon crawled out to peek at our affair,
curiously
illuminating our dusty silhouettes as my girl thrashed about.
My inertia shook,
irritable at what the moonbeams had to say.
Then I was blinded
by a faintly-scarlet hourglass
eager to spill my
hope through the small crack in its bottom.
As she lunged
forward, I could only smile stupidly
at the Vespertine
gloom. The late hour was penetrated
with bits of my
skin being swallowed up.
I took this to be
the conclusion of our tryst.
Even now, I can
still hear her yowling into the cold night air.
Saturday Night
Satyriasis
“Little by little,
I shall play her like a fiddle,”
thought the maggot
as
he crept through forests of pink pubic hair.
The girl cried for
hours, now that her gangrene
nipples
were starting to pucker outwards like
blooming mushrooms.
The rose-splattered
walls peeled away
into
a panorama of
angles and perplexities.
The eyeball,
irradiated and
locked between her
legs,
glared forward through the cherry bubblegum
miasma
of ruination.
The suspended baby
upon the dresser oozed
charitable waterfalls of LSD and
nitrogen.
Mouths opening wide
to devour
all of her leftover
follicles.
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