Showing posts with label poetry chapbook review. Show all posts
Showing posts with label poetry chapbook review. Show all posts

12/30/25

NEW! Juliet Cook is delighted by this phenomenal new Review of her two most recent poetry chapbooks!


A phenomenal review of the two most recent poetry chapbooks by Juliet Cook, ("REVOLTING" published by Cul-de-sac of Blood in November 2024 and "Blue Stingers Instead of Wings" published by Pure Sleeze Press in April 2025)!

The review was written by Scott C. Holstad.
Here's most of what he had to say:
"It didn't take long into reading this poetry collection (REVOLTING) for me to start saying "Wow!" and "Holy Shit!" and so on. When I finished, I didn't immediately respond but stopped to ponder because Juliet Cook is so very talented, has such a way with words, is such a unique and gifted poet and communicator that I really wanted to soak it all in, perhaps move on to another similar collection of hers (Blue Stingers Instead of Wings) -- which I did, reading them back to back twice -- because I get so much more out of Juliet's work and words than most other contemporary poets, and if I sound biased, I make no apologies. I've had the good fortune to "know" (electronically, never having yet met in person) Ms. Cook for some two decades, and I've seen her grow from an aspiring poet with unique skills to express what others often can't -- or won't -- to a towering literary giant, going places where others are often either too scared or never come back from, and she OWNS things many others can never even see. I've long admired just the very titles of so many of her poems and books -- witness "A Moldy Bathtub Is a Sin and You Must Repent Forever, Because She Said So" or "Hagfish Slime" for example, the latter of which contains lines I can only admire, such as "Screaming instead of / quietly swimming / as they try to swallow me / or throw me away." That is shit I feel I can really relate to, even if I might not want to. I often feel like Juliet does or could speak for me so many times over, as a survivor, observer, truly unique creative entity and I admire her skills so very much.
These words and my reactions apply to Blue Stingers as well, and I mention this because I'd hoped and intended to write a review for each but won't be able to as I've been in the hospital and had to have emergency surgery on my writing hand, while I'm lining up a bigger surgery for the arm and shoulder on the same side, so it's very difficult for me to write/type at the present, and I'm sorry for that. But for what it's worth, these two poetry collections were among the best I've read in a long time, and are among my immediate favorites."
Here's a link to the whole wonderful review and I'll link to the chapbooks at the bottom of this blog post.
This review(s) is a wonderful end of year poetry oriented gift for me.
I certainly don't think of myself as a "towering literary giant", as he refers to me in part of his review. To the contrary, oftentimes in recent years, I tend to think of myself as becoming increasingly invisible poetry-wise, for various different reasons, but at least in part because I don't want to constantly promote myself. I mean, I'm certainly not against self promotion and I do think it's a somewhat necessary part of the process when it comes to poetry, if you want others to possibly become aware of your creative work. BUT on the other hand, I personally don't want to be one of those poets who comes across as someone who seems to think their creative work is way more special and meaningful and important and worthy of tons of attention and praise than hundreds of other writer's creative work, because how the heck do I know how important my own work is to others?
I know what my poetry means to me. I'm not going to tell everyone else what it should or shouldn't mean to them, because I don't know. What my poetry means to other people is up to them and I don't want to slam myself in a bunch of people's faces and act like I deserve more attention because how do I know what sort of attention my writing does or doesn't deserve?
Again, I know what my poetry means to me. I don't know what it means to others unless they choose to tell me. Which is part of the reason why unexpected positive reviews are so wonderful. I suspected Scott Holstad was going to read these chapbooks of mine at some point in time (because I recently traded him these chapbooks for his recent full-length book), but I had no idea he was going to write a review and I truly appreciate this unexpected treat.
If a few (or more than a few) people are drawn to my poetry, whether they're friends or total strangers or somewhere in between, I think that is wonderful. And if someone likes my poetry I want it to be because of the actual poetry. *** Here is where you can acquire the two chapbooks reviewed by Scott C. Holstad:

REVOLTING is available from Cul-de-sac of Blood HERE - https://www.culdesacofblood.com/books

Also available from the Blood Pudding Press shop HERE - https://www.etsy.com/listing/1851916682/revolting-poetry-chapbook-by-juliet-cook

AND Blue Stingers Instead of Wings is available from Pure Sleeze Press HERE - https://puresleezepress.bigcartel.com/product/blue-stingers-instead-of-wings

Also available from the Blood Pudding Press shop HERE - https://www.etsy.com/listing/4314653197/new-blue-stingers-instead-of-wings

7/17/25

NEW! Another New Review of Juliet Cook's latest poetry chapbook, "Blue Stingers instead of Wings"!

"Juliet Cook doesn't write books. She creates surreal experiences for her readers with a sick soup of limitless-on edge-vulnerability, kick-ass imagery and dark humor all her own, and a clear mastery at detailing the violently petty horrors of existing. Not living, exactly. The insidious in-between. And she offers one who dares an honest to gawd peek into The Void. Whenever I open a book by her, I get greedy. I have to consume it all at once and want more. Lucky for us, she has plenty. So check out some of her macabre delights! She is truly a fascinating artist. Absolutely recommended!"

from another new Review of Juliet Cook's newest poetry chapbook, "Blue Stingers Instead of Wings" (published by Pure Sleeze Press in April). This Review is on Goodreads, written by the fabulous Casey Kiser. Thank you very much to Casey Kiser!

read more of this Review by clicking the link below:
https://www.goodreads.com/review/show/7693381109

If you'd like to read this chapbook yourself (or acquire one for a friend), "Blue Stingers..."is still available from its publisher, Pure Sleeze Press HERE - https://puresleezepress.bigcartel.com/product/blue-stingers-instead-of-wings

Also available from the Blood Pudding Press shop HERE - https://www.etsy.com/listing/4314653197/new-blue-stingers-instead-of-wings-by

6/17/25

NEW! Juliet Cook is delighted to have two poems newly appearing in Misfit Magazine Issue No. 40, Summer 2025!

"Multiple windshields crash
and crack against each other
and I can't decide which side
of the road I'm on because I'm surrounded
with evil doppelgangers..."


within the poem "Dream State Collision Course Filled With Secrets", one of two of Cook's poems newly appearing in Misfit Magazine Issue No. 40, Summer 2025


read more HERE - http://misfitmagazine.net/archive/No-40/Cook.html 

***

Also in the Books Received and Acknowledged section of this issue of Misfit, is a small Review of Cook's poetry chapbook "REVOLTING" (Cul-de-sac of Blood, 2024). Thank you very much to Alan Catlin. 

"Cook is master of disambiguation, of obsessive images featuring detached body parts, doll’s heads, and the like, sort of like a nightmare of disarticulating dream states. Often the reader feels as if the words, the body parts in the poems are revolting against the poem/the self. It’s uncomfortable but it’s always eye opening and intriguing. Not your standard poetic fare."

If interested, you can acquire your own copy of "REVOLTING" here - https://www.culdesacofblood.com/books

Or within Cook's Blood Pudding Press shop here - https://www.etsy.com/listing/1851916682/new-revolting-by-juliet-cook-2024-poetry

1/4/24

A NEW Review of Juliet Cook's poetry chapbook, CONTORTED DOOM CONVEYOR!

Also appearing in the Winter 2024 Issue of Misfit Magazine is a review of Juliet Cook's poetry chapbook, Contorted Doom Conveyor (Gutter Snob Books, 2023)!


Thank you very much to Alan Catlin for this uniquely wonderful review!


"So how do you know you are in the crazy world of Juliet Cook? Just step onto the doom conveyor belt and you enter a world of dolls, pieces of them, whole ones, effigies, doll graveyards, of a sort, and well just about anything you can think of short of Anne’s porcelain doll collection (Anne as in Anne Rice who famously collected some pretty scary ones). Basically, Juliet’s world is one of hallucinatory conjunctions, Bob Dylan surreality from his early Rimbaud infused years, sick bags, like Nick Cave, free floating dread like being in a David Cronenberg movie, watching a “Naked Lunch” while lying on Freud’s couch ( Sigmund or Lucien’s, take your pick), under the influence of a peyote dream, high flying whiles suffering new pill side effects. Juliet’s voice is decidedly and uniquely her own. I love it."

Read more reviews in the latest Misfit HERE - http://misfitmagazine.net/archive/No-37/received.html

Get a copy of Contorted Doom Conveyor HERE - https://www.magicaljeep.com/product/doom/140

Or get a copy directly from Cook (via the Blood Pudding Press shop) HERE - https://www.etsy.com/listing/1527609127/new-contorted-doom-conveyor-a-poetry


***

And also appearing within this Winter issue of Misfit (as noted in the blog post below this one) is a new poem by Juliet Cook and two new collaborative poems by Daniel G. Snethen and Juliet Cook HERE - http://misfitmagazine.net/archive/No-37/cook&snethen.html

6/8/21

NEW Review of the newest Blood Pudding Press poetry chapbook, POISON MOONLIGHT by Jason O'Toole!

The newest Blood Pudding Press poetry chapbook, "POISON MOONLIGHT" by Jason O'Toole has received a new little 5 star review by Tom Zampino via the Blood Pudding Press shop.

"Excellent, thought-provoking poems written by one of America’s quickly rising poets. A must buy!"
Find out more about "POISON MOONLIGHT" and acquire your own copy in the Blood Pudding Press shop here - https://www.etsy.com/shop/BloodPuddingPress



3/29/21

A NEW Review of the Blood Pudding Press poetry chapbook "i saw god cooking children / paint their bones"!

Thank you to Latif Askia Ba for this wonderful review of the Blood Pudding Press poetry chapbook, "i saw god cooking children / paint their bones" by john comptom

"john compton's most recent chapbook, “i saw god cooking children / paint their bones,” produced and published beautifully by Blood Pudding Press, is a testament to love—not the trite and sappy kind, but the kind “rooted in piss and shit” as the Zen saying goes.

Captured in Compton’s (perpetually) turning phrases, peppered by his playful and refreshingly rare diction—catastrophe flowers across these pages, and though they are few, they manage to create an unignorable echo, which rattles furiously in the mind by the end of the collection.

It’s not really my place to read into things, but I’m going to anyway. It seems that the source of this powerful resonance is Compton’s mother, a reoccurring character throughout the book, who (being “plagued / by a psychotic / god”) had a contentious relationship with the poet, and instead of letting this relationship live in a slew of depressing word salads, Compton sets up a sort of dialectic with the pain of being his mother’s “faggot son.”

The poet, rejecting this identity, re-educates us (and corrects his mother) in his sexual vignettes like “fellation” or “the memory of seeing my first uncut penis.”

Even in a poem named “the israeli war,” where you expect an account of pure misery, Compton refuses this from us. Instead, his description is tender: “an explosion of wings.” And so, in this very way, he takes the words and deeds of his mother and bends them around his lines into gentle, ornate lamentations.

Reading “i saw god painting children…” felt like I was eavesdropping on an intimate conversation between a mother and her son, and even if their relationship was marked by suffering, I could still hear the stubborn cadence of love…

or maybe it was just me breathing too loudly. Either way, you can buy this chapbook and other masterly constructed chapbooks at https://www.etsy.com/shop/BloodPuddingPress

11/18/20

A NEW Review of the Blood Pudding Press poetry chapbook, "i saw god cooking children / paint their bones" by john compton

"These pieces stitched together in artistic fashion by a wonderful small press look to creators who fall out of love with their subjects. A parent treating its child poorly for how they're born is like a god prone to damn all humanity without giving it a chance. Plenty of honest pictures lie within these beautiful pages. Every one of them unique.

- Tim Heerdink, author of Razed Monuments, The Human Remains, and Red Flag and Other Poems"

Thank you very much to Tim Heerdink for his wonderful review of the new Blood Pudding Press poetry chapbook, "i saw god cooking children / paint their bones" by john compton

You can find out a bit more about and/or acquire your own copy of "i saw god cooking children / paint their bones" within the Blood Pudding Press shop HERE -
https://www.etsy.com/listing/876451232/new-i-saw-god-cooking-children-paint?ref=shop_home_feat_1

3/2/20

A NEW Review by Casey Kiser of the Blood Pudding Press poetry chapbook, PEDIOPHOBIA by Daniel G. Snethen!


"A collection this gracefully twisted can only come from Blood Pudding Press. If you don't have doll paranoia now, you must read this to see what you're missing! I promise the poems in Snethen's book will give you the creeps but mostly, you will be more disturbed by how much you enjoy it. This is an absolute must-have for any chapbook collector."

From a new review by Casey Kiser of the latest Blood Pudding Press poetry chapbook, PEDIOPHOBIA by Daniel G. Snethen​!

Read more here - https://www.goodreads.com/review/show/3091695952?book_show_action=false#_=_

Also, a copy of this chapbook went out in the mail today to the University of Arizona Poetry Center Library - and soon one will be heading to the upcoming Poet's House Showcase!

You can acquire your very own hand-designed copy of PEDIOPHOBIA from the Blood Pudding Press shop here - https://www.etsy.com/listing/762122669/new-pediophobia-by-daniel-g-snethen-2019?ref=shop_home_feat_1

7/2/19

A NEW Review of Juliet Cook's DARK PURPLE INTERSECTIONS (inside my Black Doll Head Irises)

"Highly original in a good way, the poems in the chapbook Dark Purple Intersections (inside my Black Doll Head Irises) by Juliet Cook give us necessary glimpses into the way human life is lived in and through our bodies. I recommend you experience these poems, joining Juliet Cook in her honest and beautiful musings"
from Eileen Murphy's review of Juliet Cook's poetry chapbook, "Dark Purple Intersections (inside my Black Doll Head Irises)", which appears in the new issue of Tinderbox Poetry Journal! - 
http://tinderboxpoetry.com/review-dark-purple-intersections-inside-my-black-doll-head-irises-by-juliet-cook

You can acquire your very own copy of DARK PURPLE, from Blood Pudding Press here - https://www.etsy.com/listing/689260672/new-dark-purple-intersections-inside-my?ref=shop_home_feat_1


3/6/19

A NEW review of an older poetry chapbook by Juliet Cook - Soft Foam

"The third book of poetry I've read by Juliet Cook and this one feels very different to the others, there is a strong rawness to the writing which wasn't as obvious in the previous books, there is still that dreamlike quality and it still seems to straddle that razor's edge between life and death."

from a new review by Jason Denness of an older poetry chapbook by Juliet Cook, "Soft Foam" (Blood Pudding Press for Dusie Kollektiv 4, 2010)

read more of the review here - https://felcherman.wordpress.com/2019/03/04/soft-foam-by-juliet-cook/

acquire your own hand-designed copy of "Soft Foam" from the Blood Pudding Press shop here - https://www.etsy.com/listing/59222402/soft-foam-by-juliet-cook?ref=shop_home_active_4

1/2/19

A NEW mini-review of the Blood Pudding Press poetry chapbook, "Cutting Eyes from Ghosts" by Ariana D. Den Bleyker

"A mesmerizing collection! These poems will shake you to your core. Read them at night."
The beginning of a new-ish mini-review by Casey Kiser, of the Blood Pudding Press poetry chapbook, "Cutting Eyes from Ghosts" by Ariana D. Den Bleyker
acquire your very own copy of "Cutting Eyes from Ghosts" from the Blood Pudding Press shop here - https://www.etsy.com/listing/512469489/cutting-eyes-from-ghosts-by-ariana-d-den?ref=shop_home_active_1

10/12/18

A NEW mini-review of Juliet Cook's 2018 poetry chapbook, "From One Ruined Human to Another" (CWP Collective Press)

From One Ruined Human to Another is a gruesome collection of self-deprecating poems which divulge a universe where a life is “a leech unraveling from a ripped out hole.”

from a new review by Susan Yount of Juliet Cook's poetry chapbook, "From One Ruined Human to Another"

read more here - 
https://www.goodreads.com/review/show/2517675991?book_show_action=false&from_review_page=1

acquire your own copy of "From One Ruined Human..." from CWP Collective Press here - https://www.cwpcollectivepress.com/bookstore-1/from-one-ruined-human-to-another

or from the Blood Pudding Press shop here - https://www.etsy.com/listing/634109226/from-one-ruined-human-to-another-by?ref=shop_home_active_1

6/15/18

A NEW Review of the Blood Pudding Press poetry chapbook, "Paloma" by Jennifer E. Hudgens at Cultural Weekly!


"The chapbook is a collector’s item
The actual physical book is hand-made by Blood Pudding Press and is a piece of art unto itself. The cover, front matter, and “innards” of the book are of high quality, heavy, tinted paper. The binding is string/yarn that resembles a feather boa (no real feathers used). Readers can choose among several colors of cover and binding (I chose hot pink cover with pink, blue, and multi colored bindings). 
The cover art for Paloma—featuring a likeness of Lauren Kate—is a collage made by the lost friend, Lauren Kate herself. And it fits the book as if it were an organic whole. Anyone who appreciates fine chapbooks will likely appreciate this book.
I read the entire chapbook at one sitting, and I have to admit, I was “blown away.” I recommend this collector’s item book to readers who appreciate an interesting speaker, good imagery, and sensitive, touching poems that manage to stay convincingly real. Paloma by Jennifer E. Hudgens is a keeper, for sure—and for all the right reasons"
from a wonderful new review by Eileen Murphy, of the Blood Pudding Press poetry chapbook, "Paloma" by Jennifer E. Hudgens, appearing in Cultural Weekly this week!



Thank you very much to Eileen Murphy and Cultural Weekly!

1/8/18

NEW! Paloma Reviewed at Rag Queen Periodical

"If grief is another country, Jennifer Hudgen’s poems navigate that terrain like a native. Her chapbook from the ever amazing Blood Pudding Press, is a carnivalesque romp through loss using the often sharp edges of memory, keen insight and a healthy dose of rage at what is snatched from us without warning.
These 14 prose poems, unevenly spaced, startle with their pyrotechnic wordplay, as they call up the author’s memories and reminiscences, jumping in with both feet, explicit yet honest, full of blind rage at times, yet so tender and so evocative throughout that what she grieves, grieves the reader, too."
from a new review by Michelle Reale at Rag Queen Periodical, of the new Blood Pudding Press poetry chapbook, "Paloma" by Jennifer E. Hudgens

10/24/17

The First New Review of the New "Fuck Cancer Poems" by Michael Grover (thank you to Christina Brooks)!

A new book review written by Christina M. Brooks of the new "Fuck Cancer Poems" poetry chapbook by Michael Grover (Blood Pudding Press 2017):
"I've never cried thru a book of poetry before but I did with this one. And I still feel teary writing this review. I know the poet personally. Michael is a good friend and has been a staunch supporter of my own poetry from day one. It does make me sad that he is struggling with cancer. And I don't know how long he will be with us. But reading Fuck Cancer Poems that wasn't what brought the tears. What brought the tears was the very penetrating, real writing in it.
Michael has a very rebellious spirit... he sometimes comes off as gruff and combative with people and he has paid a heavy personal cost because of that. But underneath that exterior is a very perceptive, battle weary poetic warrior. His writing has a clarity you don't see very many places or hear from many people anymore. And I think it was that clarity, and the very raw, personal character of these poems that hit me so deeply. I felt these poems. They aren't just about his personal battle with cancer... but a keen eyed look at "cancer" in its other forms too.
Anyway, Thank you Michael Grover for writing these.. and thank you Juliet Cook for publishing them. And thank you to Craig Firsdon for the cover art.
And though they will probably make you cry I highly recommend this book."
***
Thank you very much to Christina Brooks for this wonderful review.

Anyone interested in acquiring their own copy of "Fuck Cancer Poems" can get it from the Blood Pudding Press shop here - https://www.etsy.com/shop/BloodPuddingPress

6/8/17

NEW Review of (the temporarily revived) Blood Pudding Press poetry chapbook, The Laura Poems

"Eccentric characters and surreal motifs and symbols from Twin Peaks are also used in The Laura Poems to good effect, such as references to the owl and the Log Lady, making this chapbook a welcome addition to the Twin Peaks canon. However, it's not just Twin Peaks fans who will enjoy The Laura Poems. All those who empathize with a young woman's struggle for survival against hostile forces will be interested in these poems."
from Eileen Murphy's new review of Juliet Cook's old poetry chapbook, The Laura Poems (which was temporarily made available again in the Blood Pudding Press shop last month, in honor of Twin Peaks revival).
Thank you very much to Eileen Murphy and Glass for writing and publishing this review.

1/2/17

NEW Poetry Chapbook Review (of "In Their Own Way" by Chella Courington)

Blood Pudding Press editor and poet Juliet Cook reviews the poetry chapbook, "In Their Own Way" by Chella Courington (Crow Hollow Books, 2016), within the NEW issue of Arsenic Lobster, HERE - http://arseniclobster.magere.com/index.html
Of course, you should also read the poetry in this new issue, which includes work by Blood Pudding Press poet Alessandra Bava, and lots of other stuff too.
***
If you like Alessandra Bava's poetry, you can acquire her Blood Pudding Press poetry chapbook, "They Talk About Death" HERE - 
https://www.etsy.com/listing/195494626/they-talk-about-death-by-alessandra-bava?ref=shop_home_active_3

5/27/16

New Review of Bone of My Bone by Nicole Rollender

The consistent onslaught of desolation through the eyes of womanhood is a moving experience for reader and writer alike. She highlights a world where bodies are seen as decrepit when mothers are unable to produce milk for their starving offspring, and similarly when their wombs are unable to provide a safe passage between pregnancy and birth. Rollender deals with gateways and passages, blurring the lines between birth, life and death, “A woman’s skin / is one world. The birth canal is another”, “The women who don’t bear children / are held down and singed with black lines before // they return to work in fields, skin a book / of illumination
-from a new review of the Blood Pudding Press poetry chapbook, "Bone of My Bone" by Nicole Rollender
-thank you kindly to Nathan Hassall and The Luxembourg Review
-procure your very own copy of Bone of My Bone from the Blood Pudding Press shop HERE - https://www.etsy.com/listing/244912275/new-bone-of-my-bone-by-nicole-rollender?ref=shop_home_feat_1

1/27/16

NEW Review of Bone of My Bone by Nicole Rollender (Blood Pudding Press, 2015)

The speaker grapples with her own creation, and the subsequent birth of her children. The body is gruesome, especially in its decay, but Rollender wrangles this gore into “a giant star’s last open into brilliance.” The waxy and dead skin of her grandmother is given a second life in the speaker’s skin and the Frankenstein effect is a reconciliation

some thoughts about the 2015 Blood Pudding Press poetry chapbook, "Bone of My Bone" by Nicole Rollender, newly reviewed by Lauren Gordon at damfino



12/2/15

NEW Review of Lauren Gordon's Fiddle Is Flood (Blood Pudding Press, 2015) at Galatea Resurrects

Those who have followed the Little House books and Ingalls family history will be aware of the deep losses sustained by the family on the prairie, and Gordon certainly doesn’t skirt over these sadnesses. In the first poem in the collection we learn that “Baby Freddie” “straightened out his little // body and was dead,” and later we are reminded that sister Mary “has stupid eyes, too.” We read about miscarriages, “tiny graves in cellars,” and Gordon adds new perspectives, emphasizing that “the old Indian” “has a name had a name once.”

from a NEW mini-review of the 2015 Blood Pudding Press poetry chapbook, "Fiddle Is Flood" by Lauren Gordon, at Galatea Resurrects (thank you to Genevieve Kaplan)
More here - http://galatearesurrection25.blogspot.com/2015/11/chapbooks-by-lauren-gordon-marco.html

***

Acquire your own copy of Fiddle Is Flood here - https://www.etsy.com/listing/227601065/new-fiddle-is-flood-by-lauren-gordon?ref=shop_home_active_4